Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Dmitry Levitzky
Yekaterina Romanovna Vorontsova Dashkova

ID: 59610

Dmitry Levitzky Yekaterina Romanovna Vorontsova Dashkova
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Dmitry Levitzky Yekaterina Romanovna Vorontsova Dashkova


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Dmitry Levitzky

1735-1822) was a Russian-Ukrainian portrait painter. Dmitry was born in Kiev, Ukraine, in a family of clergyman and engraver Grigory Levitzky. His father was his first art teacher. Later be became a pupil of Aleksey Antropov who came to Kiev to paint the Cathedral of St. Andrew. In 1770, Levitzky became famous as a portrait painter after the exhibition of six of his portraits in the Imperial Academy of Arts in St. Petersburg. For the portrait of Alexander Kokorinov, Director and First Rector of the Academy of Arts in St. Petersburg (1769) he was elected an academician and appointed the Professor of the portrait painting class at the Academy of Arts.  Related Paintings of Dmitry Levitzky :. | Portrait of General Iosif Igelstrom | Portrait of Alexandr Mihailovich Golytsyn | Natalia Melgunova by Levitzky | Alexander Lanskoy | Portrait of a student of the Empress School for Noble Maidens Ekaterina Ivanovna Nelidova |
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Mario Dei Fiori
Italian painter , Penna Fermana 1603- Rome 1673 Italian painter. He was the first and most famous Roman painter to specialize in flower-pieces and one of only four still-life artists included by Leone Pascoli in his collection of artists' biographies. The early sources and old inventories attribute many flower paintings in distinguished Roman collections to the Caravaggesque painter Tommaso Salini, and since the 18th century Mario's name has been linked with his, and it has been assumed that he trained with Salini. This apprenticeship is difficult to document, yet a comparison of Mario's pictures with inventory descriptions of works by Salini confirms that Mario was influenced by his art. To the minute observation of various kinds of flowers, Mario added a refined sense of design and an interest in effects of light, still linked to Caravaggio in the use of a dark background.






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